Parity Pipeline
- ABOUT
- BIO
- CREDITS
Genre
Synopsis
The Rocky Mountain Indigenous Dancers are an intertribal Native American dance group dedicated to sharing their cultural heritage through dance. They perform at diverse community events ranging from Denver's National Western Stock Show, Broomfield Days Parade, and Boulder’s Bandshell for Arts in the Park; to Indigenous-focused events like the Harvest of All First Nations Corn Festival in Longmont, Denver’s áyA CON (Indigenous Comic & Arts Festival), Denver Art Society’s Indigenous People Heritage Celebration, Four Mile Historic Park’s Indigenous Family Free Day, and on-stage at the Fox Theater with The Halluci Nation, the multi-award winning Canadian electronic music group from Six Nations.
We want to make a short, creative nonfiction film that features four generations of the Yellow Horse family: 62-year-old boarding school survivor and enrolled Lakota member Theresa Yellow Horse Bryan; 48-year-old co-founder and Tlingit+enrolled Lakota member Thomas Yellow Horse-Davis; 21-year-old enrolled Lakota member Anthony Yellow Horse Martinez; and 7-year-old enrolled Lakota member Sage Yellow Horse Kirby and her 9-year-old cousin Sidian— as Rocky Mountain Indigenous Dancers, preserving their dancing culture. Others included in the film are co-founder/director and enrolled Lakota member Mary Amber Yellow Horse Martinez, and Thomas’s wife and dancer, Kimberly Davis (Yaqui Nation). Unlike many powwow dancers, the Yellow Horse family doesn’t dance for competition or prize money— they dance in prayer for the people. “It’s a healing dance for everyone, not just ourselves,” Thomas says.
We’ve been filming this story for over two years, and are currently raising funds to produce a short film from that footage. The film will help to spread their message to their own Native community, future Indigenous dancers, and non-Native viewers. “Wherever we perform,” Mary Amber says, “we tell the kids: ‘Find out where you come from, find out your culture— you have a special story too. Bring those stories back to yourself. That matters more than the diamonds and gold that were dug up here.’”
Bio
Dewi (day-wee) is an Indigenous film director and editor based in Louisville, Colorado, on the traditional territory of 48 contemporary tribal nations including the Arapaho, Cheyenne, and Ute, and current home to members of approximately 100 tribal nations. She was born to a young Indonesian birth mother and descends from Dayak, Banjarese, Sundanese, and English ancestors. She was adopted as an infant by white American parents who renamed her “Amy” (a name she has since rescinded) and raised her in white suburbia, with multiple journeys back to Southeast Asia for her adoptive father's work. She and her life+creative partner, Jason Houston, created their production company eight16 creative with the goal to center Indigenous voices, challenge dominant settler storytelling and colonial worldviews, and create art that inspires viewers to heal their relationships with the land and each other. They are currently in production on an art-forward body of work that explores Indigeneity lost, then reclaimed, as Dewi and others break from their white supremacy culture and seek ancestral knowledge in an urgent call to address climate and social justice crises facing humanity. Dewi is a member of A-Doc, ADE, BIPOC Editors, BGDM, Cine Fe, Creative Nations, Kin Theory, and Mountain Media Arts Collective, and has collaborated with a wide range of partners, including ProPublica and Exposure Labs.
Credits
Cinematographer— Jason Houston