Parity Pipeline

Parity Pipeline

Scissor Mouth

Directed by Deborah Richards

Scarred from the twisted abuse by her beauty obsessed mother, a teenage girl in rural Texas escapes her basement prison propelling a bloody rampage that threatens the lives of all those unlucky enough to cross her path.

  • ABOUT
  • BIO
  • CREDITS

Genre

Synopsis

SCISSOR MOUTH is a female-driven gothic fairy tale set in rural Texas in the mid-eighties. For years mutilated teenager Elizabeth Horn has been a prisoner in her own home, locked in the basement and hidden away from the world to hide the truth of her mother’s crimes. Her scarred face has more in common with the Predator’s war cry than The Joker’s smile. With arrested development, anger issues, and no impulse control, she spends her days watching old romantic VHS movies and dreaming of escaping to find love in an ugly world. Meanwhile, just above the basement, Elizabeth’s mother and jailer, Angela Horn, goes about her daily life as a hairdresser, running her home hair salon out of their decaying gothic house on the outskirts of a dying town. Obsessed with beauty, she’s losing a grip on hers as she ages. In a fit of unhinged rage while punishing Elizabeth for making too much noise, Angela slips on a bar of soap and dies instantly when she’s impaled to the wall by a coat hook to the back of her neck. This is Elizabeth's chance to escape… but the moment she gets to the front door so does her mother’s next client. Vapid beauty queen, Darlene Baker, is here for her 2:30. Thinking quickly Elizabeth puts on a face mask to hide her scars and pretends to be an assistant as she seats Darlene in the salon chair. Darlene’s unexpected arrival starts a domino effect of bloody consequences which don’t end well for Darlene. The beauty queen’s fiancé, Police Deputy Wayne Dixon, not the smartest cop in Texas but he sure does love his gal, returns to the house to pick up his boo, only to walk into a crime scene of epic proportions. In the second act climax, Elizabeth gets the better of the Deputy and locks him in the basement as the house catches fire. She flees the scene and escapes to their nearest neighbor - a pig farm. It's there that she meets the farmer's son, a handsome innocent blind boy, Charlie. He looks just like one of the leads from the old romantic movies she used to watch trapped in the basement. It’s love at first sight but the pair are interrupted by the Deputy in hot pursuit. Charlie protects Elizabeth from the deputy and the story ends with a spectacular blood wedding between the pair as her home burns in the distance.

Bio

Next-gen writer/director Deborah Richards is part of a new wave of Hollywood filmmakers who rose from the ashes of a post-pandemic world and started their feature film careers during the 2020 shut down. In 2015, while still in film school, Ms Richards won four Southwest Production Emmys® for her science fiction short, Boy Meets Girl, and has since directed a dozen shorts and over one hundred TV ads and web promos. In 2022 she was crowned the Nevada Woman Filmmaker of the Year by the prestigious Nevada Women's Film Festival, and in 2023 her debut feature, Move Me No Mountain, was released on Amazon Prime & Tubi. In 2024 she completed her second feature, Shaken & Stirred and is currently gearing up for its 2025 festival run and acquisition. Deborah Richards owns her own production company, based in Las Vegas, and is also a founding member of 1905 Films, a boutique film studio focused on feature film development and production. When Ms. Richards is not busy writing and directing her own films and passion projects, she freelances as a writer, director, editor, colorist, production designer, VFX artist, educator and public speaker. Originally from England, she is a dog owner, former bartending world champion, and passionate advocate for the arts. Deborah Richards is currently in development of her third feature film - Scissor Mouth.

Credits

Producer - Patrick Wirtz

Co-Producer - Marcus J McGill

Casting Director - Kimberly Skyrme CSA