Genre
Synopsis
I've resisted overtly political films. I want my films to imagine a world that doesn't exist yet but is within reach. AMMA'S PRIDE shows mother Valli unapologetically supporting her trans daughter. Audiences say, "I want to be like Valli" or "I wish my mother was like her." PRACTICE OF US follows two queer adults — David, who came of age during the AIDS epidemic, and Karthik, when queerness was criminalized in India. Marriage equality and naturalization once offered security, but in 2026 with ICE enforcement and rollbacks of queer protections, their multiracial family's life feels as precarious as the worlds they survived as children. The film shows them building intergenerational bridges and practicing active healing. I want to engage multiracial queer families, transracial adoptive families, and immigrant families who feel unseen. The goal is to give audiences tools to examine assumptions about family, belonging, parenting, and healing estranged relationships.
Through the PRACTICE OF US, I'm shifting from observational documentary to participant-driven, catalyzed non-fiction. Rather than observing life unfold, the film places artistic tools in participants’ hands, creating conditions and documenting what unfolds. Life-size leather puppets drawn from South Indian Tholu Bommalata shadow puppetry become a shield through which Karthik and his estranged mother speak truths about queerness, rejection, and love unspoken for a decade. As they train actors to interpret their feelings, they witness their story from outside themselves. Repeating it over and over reduces the pain. David's Super 8 vignettes allow him to revisit and reinterpret the spaces that shaped his trauma — the very spaces he now takes his children. Rather than passively reshaping memory, filmmaking empowers participants. These aren't stylistic choices but dramaturgical interventions that change what becomes possible between people on screen, inviting audiences to imagine new dialogue with estranged family.
Director Identity
Bio
Chithra Jeyaram [She/Her] is a physical therapist-turned-filmmaker who identifies as Tamil. Her work explores the wisdom, resilience, and love within both biological and chosen families. Having lived in India, Kuwait, and the USA, she brings a third-culture perspective, intimacy, and immersion to her films. She is an alumna of Visions du Réel's RoughCut Lab, the Chicken & (Egg)celerator Lab, the BGDM Artist Fellowship, the Gotham Documentary Fellowship, and a Jerome Foundation grantee. In the feature documentary LOVE CHAOS KIN [2025], she follows an Indian immigrant family with adopted White Navajo children for 12 years, navigating the complexities of open adoption with their children's White mother and Navajo father. She led the production of the acclaimed short AMMA'S PRIDE [2024], which championed parental support for trans people and marriage equality in India. Having spent over a decade observing family dynamics, she now turns the lens on her family. How do people build legacy, safety, and belonging from fractured histories? Her debut screenplay, LONGEST SUMMER, explores migrant workers navigating familial pressure, labor exploitation, and gender-based violence in Kuwait. Her hybrid documentary-in-development, PRACTICE OF US, uses South Indian shadow puppetry and Super 8 reenactments to confront painful memories and the gaze cast upon families outside majority gender and race norms.