Untitled

Directed by Emilie Upczak

In the near future, during a historic drought, an indigenous botanist is sent by a government agency to monitor developers from a hydroelectric company on a rafting trip down the Colorado River through the Grand Canyon; as the research team descend into the canyon and navigates the treacherous waters, the lines between the past and present blur, presenting clues that will impact the fate of the river. 


  • ABOUT
  • BIO
  • AWARDS
  • CREDITS

Genre

Synopsis

Ten-year-old Emery plays along the Colorado River bank. Her Aunt Elza sits nearby, soaking her feet in the cool water. Emery runs to her aunt, fascinated by a small Tamarisk Beetle that has landed on her hand. 

Fast forward twenty-five years, a now 35-year-old Emery drives her Aunt’s two-tone Ford truck down a desert highway. It’s lonely, and hers is the only vehicle for miles. She’s heading to Glen Canyon Dam, a decaying relic of a bygone era. The once-mighty structure, now covered in graffiti and “closed” signs, looms before her. Despite the dystopian surroundings, the Colorado River continues its relentless flow below, carving through the canyon. Emery, now a botanist working for the federal government, feels the weight of the journey ahead.

Her destination is Lee’s Ferry, the launch point for a seven-day river expedition through the Grand Canyon. Waiting for her are Noah, a geologist turned company man, and Floyd, the CEO of a powerful hydroelectric company. They’re pushing for a development project that could drastically alter the river and the land. Sent by the federal government to monitor their project, Emery joins them along with two seasoned river guides, Captain Jordan and his first mate Kendall. 

As they descend, the magnitude of the landscape and the sweltering heat test them. Emery quietly observes Noah and Floyd while conducting her own research, particularly focusing on an invasive plant species, the Tamarisk. The trip takes a turn when they lose their water purifier to the swift currents, and tensions escalate as Emery uncovers the true scale of the developers’ projects. 

By the time they reach Phantom Ranch, the halfway point, they’re hoping for a break – a bed to sleep in and freshwater. Instead, they find an abandoned post and a contaminated well. Floyd, overwhelmed by the heat and dismissive of the canyon’s grandeur, demands that Kendall escort him out via Bright Angel Trail, leaving Emery, Jordan, and Noah to continue downstream. 

Noah attempts to sway Emery, hoping she will sign off on the project. But Emery discovers a crucial discrepancy in the Tamarisk and its bio-control agent, the Tamarisk Beetle’s patterning that could shift the balance of the river. When they stop at Havasu to collect more data at Noah’s insistence, Noah disappears up a side canyon where he meets a man displeased with him for trespassing on Native land. As the sun sets, Jordan searches for Noah, leaving Emery alone in the canyon, uncertain of what the night will bring.

Bio

Emilie Upczak is an independent filmmaker, academic, an Andy Warhol grant recipient and a Rotterdam Producers Lab alumni. She has her MFA in Film from Vermont College of Fine Arts. Her work focuses on climate justice, migration, and economic, racial and gender hierarchies. Her films reflect her interest in hybridity, blending fiction and non-fiction techniques, and highlighting actors and non-actors. She makes narrative, experimental, and non-fiction films and works with archival footage and collections. Her films range from feature length narratives to public video projections to digital exhibitions.

Emilie spent ten years living in Trinidad and Tobago, where she began making films and worked as the Creative Director for the trinidad+tobago film festival spearheading the Caribbean Film Database and the Caribbean Film Mart. Her debut narrative feature “Moving Parts”, a human smuggling and sex trafficking film, set in the capital city of Port of Spain, premiered at the Denver Film Festival and is available through the films distributor, Indiepix.

In 2022, she wrote and directed a narrative short film entitled “Silt”, a story of loss centered on the Colorado river, which premiered at the Independent Film Festival Boston where it won the special jury award and went on to receive a Federal Emergency Management Agency Climate Resilience Storytelling Award. “Silt” also screened at the Smithsonian Institute Mother Tongue Film Festival.

Awards History

Independent Film Festival Boston 2022 - Special Jury Award

Houston Cinema Arts Festival 2023, Borders | No Borders - Narrative Jury Prize

Federal Emergency Management Agency 2024 - Climate Resilience Storytelling Award

Credits

Producer - Christi Cooper

Field Producer - Harlan Taney

Co-Producer - Lisa Yelloweagle

Producer - John Otterbacher