Black Field

Directed By Danishka Esterhazy

A dark historical drama about two sisters, the man that comes between them, and the tragedy that results. Set in the 1870s.

  • ABOUT
  • BIO
Inspired by the Gothic novels of the Brontës, Danishka Esterhazy's dark and captivating first feature is a suspenseful drama unfolding on a bleak prairie landscape in the 19th century. Two sisters' lives are forever changed when a mysterious and charming man arrives at their isolated farm. Starring Sara Canning (The Vampire Diaries) and Ferron Guerreiro (New in Town).

Danishka Esterhazy  is an award-winning director whose work spans horror, thriller, and action cinema. Recognized for her precise visual style and strong narrative voice, she has established a career defined by both critical acclaim and audience appeal. Her debut feature, Black Field, a gothic prairie thriller, earned the Amazon Video Award at Sundance and introduced her as a significant new talent. She followed with Level 16, a dystopian thriller that premiered at Fantastic Fest. Esterhazy has directed several high-profile reimaginings in the horror genre, including The Banana Splits Movie (2019) and Slumber Party Massacre (2021). The latter received wide critical recognition, including a rare 100% rating on Rotten Tomatoes, and was praised for its feminist approach to established genre conventions. Her work in action cinema includes Sniper: The Last Stand, produced for Sony Pictures. The film highlighted her command of firearms-based sequences, tactical staging, and close collaboration with stunt teams. For this project, she received a nomination from the Directors Guild of Canada for Best Direction. Esterhazy continues to build on this expertise, integrating rigorous stunt choreography and weapons handling into her directing practice. Her films have screened at more than fifty international festivals. She is the recipient of the Canadian Screen Award for Best Direction and has also been recognized by the Directors Guild of Canada. A graduate of the Canadian Film Centre’s Directors Lab and an alumna of Women in the Director’s Chair, she has consistently worked to advance the presence of women in genre filmmaking.