Parity Pipeline

Parity Pipeline

The Artist Must Grow Ever More Selfish

Directed by Susan Sandler

THE ARTIST MUST GROW EVER MORE SELFISH — From the provocative pages of gay icon Ned Rorem's 1950’s Paris Diary ~ the dashing young composer’s self-portrait in words and music

  • ABOUT
  • BIO
  • SCREENINGS

Genre

Synopsis

THE ARTIST MUST GROW EVER MORE SELFISH ~ A tender portrait, narrated by Ned Rorem from his PARIS DIARY

“When The Paris Diary exploded on the scene in 1966 there had never been a book in English quite like it: Its intimate combination of personal, literary, and social insights was unprecedented. Pulitzer Prize Winning Composer Ned Rorem’s self-portrait of the artist as a young man, written between 1951 and 1955, was also a mirror of the times, depicting the now vanished milieu of Cocteau, Gide, Boulez, the Vicomtesse de Noailles, and others whose paths crossed with Rorem’s in such settings as Paris, Morocco, and Italy…

The diaries marked the beginnings of Gay Liberation, not because Rorem made a special issue of his sexuality, but because he did not; rather, he wrote of his affairs frankly and unashamedly. A casualness informs each sensual entry, and the overall tone is at once bratty and brilliant, insecure and vain, loving and cultured, but, above all, honest and entertaining.”

Bio

Susan Sandler’s screenplays and teleplays include the Golden Globe nominated Crossing Delancey and Friends At Last, as well as projects for Sony Pictures, Twentieth Century Fox, Disney, TNT, and Columbia. Her work for the stage has been produced in New York, at major theatres across the country, and around the world. Her plays include Crossing Delancey, Under the Bed, The Renovation, The Moaner, If I Were A Train and The Find. Her short The Burial Society featured Jerry Stiller and Anne Meara in their final performance on NPR. Sandler’s work is published by Smith and Kraus, Vintage Press, and Samuel French. She is a full time professor at NYU Tisch School of the Arts Kanbar Institute of Film & Television, where she also guides the Fusion Film Festival. Julia Scotti: Funny That Way won Audience Choice at the Paley Center for New Media Doc Pitch, and is her directing debut.

Screening History

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